- Runtime
- 1h(60 min)
- Sound mix
- Dolby Digital
- Dolby Atmos(Blu-ray release)
- Color
- Aspect ratio
- 1.66 : 1(some scenes, season 1)
- 1.78 : 1(season 1)
- 1.85 : 1(season 2)
- 2.20 : 1(season 3, some scenes)
- 2.35 : 1(season 3)
- Camera
- Arri Alexa 65, Arri Prime DNA Lenses(season 1)
- Arricam LT, Cooke S4/i, Speed Panchro and Zeiss Super Speed Lenses(season 2)
- Arricam LT, Cooke S4/i, Zeiss Master Prime and Super Speed Lenses("Fuck Anyone Who's Not a Sea Blob")
- Arricam LT, Kowa Cine Prominar Lenses("Trouble Don't Last Always")
- Arricam LT, Panavision Primo ALZ11, C-, E-Series and Macro Auto Panatar Lenses(season 3)
- Arriflex 416(some scenes, season 1-2)
- Arriflex 435, Cooke S4/i, Speed Panchro and Zeiss Super Speed Lenses(season 2)
- Arriflex 765, Arri 765 DNA Prototype and Zeiss 765 Lenses(season 3)
- Laboratory
- Company 3(digital intermediate)
- FotoKem Laboratory, Burbank (CA), USA(dailies, season 1-3)
- Light Iron, Los Angeles (CA), USA(digital dailies, season 1)
- Negative Format
- 16 mm(Kodak Vision3 500T 7219, some scenes, season 1-2)
- 35 mm(Kodak Verita 200D 5206, Vision3 500T 5219, season 3)
- 35 mm(Kodak Vision3 500T 5219, Ektachrome 100D 5294, "Trouble Don't Last Always", "Fuck Anyone Who's Not a Sea Blob", season 2)
- 65 mm(Kodak Verita 200D 5206, Vision3 500T 5219, season 3)
- Codex(season 1)
- Cinematographic Process
- ARRIRAW(6.5K, source format, season 1)
- Arri 765(source format, season 3)
- Digital Intermediate(4K, master format)
- Panavision(anamorphic, source format, season 3)
- Super 16(source format, some scenes, season 1-2)
- Super 35(3-perf, source format, "Trouble Don't Last Always", "Fuck Anyone Who's Not a Sea Blob", season 2)
- Printed Film Format
- Dolby Vision(Blu-ray release)
- Video(UHD)
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