Persian-language (primarily Iranian) cinema is acclaimed for poetic allegory, moral depth, and inventive ways of navigating censorship. It often uses non-professional actors, minimalism and symbolism to explore moral dilemmas, social issues, and the human condition under political constraints.

Leila Hatami and Payman Maadi in A Separation (2011)

The action genre features fast-paced, thrilling, and intense sequences of physical feats, combat, and excitement. The characters of these stories are involved in daring and often dangerous situations, requiring them to rely on their physical prowess, skills, and quick thinking to overcome challenges and adversaries.

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

Mahershala Ali and Alex R. Hibbert in Moonlight (2016)

The history genre features recounting and analyzing past events, societies, cultures, and historical figures. This genre aims to provide insights into the development of civilizations, the causes and consequences of historical events, and the impact of individuals and ideas on the course of history.

The war genre features armed conflicts, both historical and fictional, and the experiences of individuals and groups involved in warfare. This genre explores the physical, emotional, and moral challenges faced by soldiers, civilians, and others affected by war.

An Iranian navy commando after a confrontation with the enemy and getting his boat sinked remains in the sea for two days waiting for the rescue to come. Meanwhile he remembers his past. In the second confront with the enemy he decides to face them once again.

Afsaneh Bayegan, Amin Hayayee, Nasrin Moghanloo, and Hadi Saei in P22 (2015)

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Afsaneh Bayegan, Amin Hayayee, and Hadi Saei in P22 (2015)

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