A man and his daughter and their road trip for find a guy who, after a promiss to father, evit him.

In some measure, it reminds Bike thief by Vittoria de Sica but the colors are more tender, like the final.

A young girl decided to help his dad. A small sacrifice, her observations, his bitterness transformed, grace to her, in kind smile.

Beautiful acting, moving story and fair dose of useful hope.

Nothing remarcable but a nice portrait of love and trust and innocence and fair choices and things who real matter.

And in some, large measure, it is just enough. In short , a film to remind small things more significant than poverty or absence of honor of the other.

French-language cinema, whether in France, Québec, or other Francophone regions, explores cultural identity, social change, and the tension between the individual and society. French cinema is not only celebrated for its intellectual experimentation and auteur traditions, but also its success in mainstream comedy, romance, and commercial entertainment. In Québec, films often focus on questions of language, belonging, and community within a distinct cultural landscape.

Jean-Pierre Léaud in The 400 Blows (1959)

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

Mahershala Ali and Alex R. Hibbert in Moonlight (2016)

The family genre features stories specifically created to be suitable for a wide range of age groups within a family. Family-oriented content is designed to be enjoyed by both children and adults, often providing entertainment that is wholesome, relatable, and appropriate for all members of a family to watch or experience together.

Drew Barrymore and Pat Welsh in E.T. the Extra-Terrestrial (1982)

The short form refers to creative works characterized by their brevity and concise storytelling. Unlike full-length feature films, short films have a running time of less than 45 minutes, while TV shorts have a running time of less than 22 minutes.

Benedict Cumberbatch in The Wonderful Story of Henry Sugar (2023)

A father and daughter take an impromptu road trip in Ouagadougou.

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