A man,illettre, working for learn with the high hope to not lost the rights about his son.

A very simple story, admirable acting of Daniel Vannet, a beautiful complicity son - father, few crumbs of lovely humor and a dramatic end.

Willy Pruvost is only one of many small men around us. And this form of realism is the heart of a film in which god intentions and the fear about worst situations are the axis of a drama of a kind man, preocuped about his education and about the good for his son, both composing one purpose.

A bitter end for a tensioned and source of couple smiles short film about a lost fight.

French-language cinema, whether in France, Québec, or other Francophone regions, explores cultural identity, social change, and the tension between the individual and society. French cinema is not only celebrated for its intellectual experimentation and auteur traditions, but also its success in mainstream comedy, romance, and commercial entertainment. In Québec, films often focus on questions of language, belonging, and community within a distinct cultural landscape.

Jean-Pierre Léaud in The 400 Blows (1959)

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

Mahershala Ali and Alex R. Hibbert in Moonlight (2016)

The short form refers to creative works characterized by their brevity and concise storytelling. Unlike full-length feature films, short films have a running time of less than 45 minutes, while TV shorts have a running time of less than 22 minutes.

Benedict Cumberbatch in The Wonderful Story of Henry Sugar (2023)

Daniel Vannet in Perrault, La Fontaine, mon cul! (2015)

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Perrault, La Fontaine, mon cul!

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