The b-horror subgenre features modest production values, simple plots, and reliance on certain horror tropes and clichés. The stories are often low-budget, low-quality, and sometimes intentionally campy or cheesy. The "B" designation originally referred to the second feature in a double feature presentation, with the "A" film being the main attraction. Over time, "B-movies" became associated with low-budget and less prestigious productions.

The body horror subgenre features the physical and psychological transformation, deformation, or degradation of the human body. In body horror stories, the human body itself becomes a source of fear, anxiety, and disgust, often through graphic and disturbing depictions of bodily changes, mutilation, or alteration.

The dark comedy subgenre, also known as black comedy, combines humor with elements of tragedy, morbidity, or darker themes. Dark comedies often explore serious or taboo subjects, such as death, crime, dysfunction, and societal issues, while infusing these topics with humor to create an unusual and often thought-provoking contrast. The humor in dark comedies is typically edgy, satirical, and often unsettling, challenging traditional comedic norms.

Phoebe Waller-Bridge and Sian Clifford in Fleabag (2016)

The satire subgenre uses humor, irony, exaggeration, and parody to critique and comment on various aspects of society, culture, politics, institutions, and human behavior. Satires aim to provoke thought, highlight absurdities, and expose hypocrisy by presenting familiar situations in a distorted or exaggerated manner. They entertain while also providing social commentary and encouraging viewers to reflect on the subjects being criticized.

Peter Sellers in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

The splatter horror subgenre, features extreme and graphic depictions of violence, gore, and bloodshed, showcasing visceral and shocking visual effects. Splatter stories are known for their over-the-top and often exaggerated scenes of bodily mutilation, dismemberment, and other gruesome forms of violence.

The teen horror subgenre features young protagonists facing various forms of terror and supernatural threats. These stories are typically targeted toward a young adult audience and revolve around the traditional experiences and challenges of teenagers as they confront paranormal occurrences, monsters, killers, or other horror elements.

Jennifer Love Hewitt and Freddie Prinze Jr. in I Know What You Did Last Summer (1997)

The comedy genre refers to a category of entertainment that aims to amuse and entertain audiences by using humor, wit, and comedic situations. Comedies are created with the primary intention of eliciting laughter and providing lighthearted enjoyment. They encompass a wide range of styles, tones, and themes, appealing to various tastes and audiences.

Will Ferrell, Angela Grillo, and Lap-Gei Cheung in Anchorman: The Legend of Ron Burgundy (2004)

The horror genre features stories that aim to elicit fear, suspense, and a sense of dread in its audience. Horror stories often explore themes related to the unknown, the supernatural, and the macabre, and they frequently evoke strong emotional reactions such as anxiety, terror, and unease.

The short form refers to creative works characterized by their brevity and concise storytelling. Unlike full-length feature films, short films have a running time of less than 45 minutes, while TV shorts have a running time of less than 22 minutes.

Benedict Cumberbatch in The Wonderful Story of Henry Sugar (2023)

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