This one comes from a later phase of Titãs, a quintet at the time, and the song had its fair share of plays on MTV and radio. I was reminded of that due to some shots from the clip, a frantic gathering of images as the band members perform the song in strange and unusual settings: Branco Mello sings hidden in the shadows, Paulo Miklos becomes a sort of a creature covered in spider-webs, Charles Gavin hits the drums as a heavy rain pours down, Tony Bellotto plays his guitar in the city as the camera spins around him very rapidly, and Sérgio Britto sings at the top of building, leaning forward almost as if about to jump. All done in a fast succession, barely allowing a great view of everything, but it works with the idea of unusual people, how they approach life in a different manner, exclusive to them. Fine song and video, but far from their greatest video moments. 7/10.

Portuguese-language cinema, spanning Portugal, Brazil, and other Lusophone regions, focuses on history, cultural identity, and the struggles of ordinary people, often framed with poetic or allegorical storytelling. In Portugal, cinema has emphasized meditative pacing and philosophical depth, reflecting on memory and tradition. In Brazil, it has often been politically charged and socially vibrant, highlighting inequality and resilience while experimenting with popular and avant-garde forms.

Alexandre Rodrigues in City of God (2002)

The music genre features stories showcasing musical performances, music-related documentaries and recordings of live concerts and music festivals.

Prince and Apollonia Kotero in Purple Rain (1984)

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Sérgio Britto in Titãs: Eu Não Sou Um Bom Lugar (2003)

Titãs: Eu Não Sou Um Bom Lugar

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