Metacritic reviews

It’s a sweet, savory blend of oddball mythology and deadpan humor that’s easy to adore, worth many a healing smile.

A winningly weird comedy—premiering at this year’s Sundance Film Festival—about isolation and community.

By the end of The Incomer, Paxton makes explicit that this is a story about making decisions from an outlook that favors hope over fear. And, at least for the duration of the film, he creates an imaginary universe where such a choice feels both logical and lovable.

The Incomer is about being isolated for so long that you forget how to want things, to the point that when desire actually shows itself, it can’t help but manifest malformed.

This intriguing feature debut from Bafta-nominated Scottish short filmmaker Louis Paxton makes effective use of its striking location and a trio of strong performances from Domhnall Gleeson, Gayle Rankin and Grant O’Rourke.

The Incomer is a sweet and charming adult fairy tale whose primary characteristic, a twee and cheeky sense of humor, is both its appeal and its achilles' heel.

Unafraid to lean into Isla's naivete, Rankin's performance playing off both O'Rourke and Gleeson is what places her at the center of this tale and makes it worth watching.

There’s a lot in The Incomer to be admired. Unfortunately, it lasts a bit too long and makes the same joke too many times.

This specific concoction of absurdism, sentimentality, childish humor and dark punchlines may have stayed off-key for me, but seemed to strike a chord with others, at least judging from the many guffaws at the screening I attended.

This is designed to be a heartwarming comedy and debuting feature director Paxton is more assured with the outcome than he is about getting there.