Director Susanne Kennedy responds to the new balance of power between bodies, technical objects and machines with an aesthetic that is beyond the human. Distorted by masks, playback dialogue, doppelgängers and multimedia, the actors confront the audience with a post-humanistic subjectivity. Born in Friedrichshafen, Germany in 1977, Susanne Kennedy studied direction at the Hogeschool voor de Kunsten in Amsterdam. She debuted on the Dutch stage with a series of productions of pieces by Enda Walsh, Sarah Kane and Elfriede Jelinek, as well as the experimental soap opera The Hideous (Wo)men (2013). In 2011 she invited Johan Simons to work with the ensemble at the Munich Kammerspiele.
