It's too bad because from watching the preview it looked good. It's very misleading. Seems like they tried too hard to make an "artsy" movie (lots of unnecessary slow motion, close ups and over exaggerated noises). It's a shame because it could've been a really good psychological thriller. I can say that the actresses were somewhat good. Both were annoying and I believe that was their goal in this movie. The downside was, I didn't care about what happened to either of them. They never pulled me in enough to root for one or the other. If you are into slow burning thrillers that have a big time indie feel to them and fall short at the end, you may like this. To me it was a complete waste of time.

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

Mahershala Ali and Alex R. Hibbert in Moonlight (2016)

The horror genre features stories that aim to elicit fear, suspense, and a sense of dread in its audience. Horror stories often explore themes related to the unknown, the supernatural, and the macabre, and they frequently evoke strong emotional reactions such as anxiety, terror, and unease.

The thriller genre features suspense, tension, and excitement. These stories are known for keeping audiences on the edge of their seats and delivering intense emotional experiences by revolving around high-stakes situations, dangerous conflicts, and the constant anticipation of unexpected events.

Obsessed with her sexy roommate, Jill violently imprisons Jennifer in their apartment in a twisted attempt to bring them closer together.

Wes McGee, Effie Lavore, and Mary Loveless in Excess Flesh (2015)

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Effie Lavore and Mary Loveless in Excess Flesh (2015)

Excess Flesh

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