The b-horror subgenre features modest production values, simple plots, and reliance on certain horror tropes and clichés. The stories are often low-budget, low-quality, and sometimes intentionally campy or cheesy. The "B" designation originally referred to the second feature in a double feature presentation, with the "A" film being the main attraction. Over time, "B-movies" became associated with low-budget and less prestigious productions.

The dark comedy subgenre, also known as black comedy, combines humor with elements of tragedy, morbidity, or darker themes. Dark comedies often explore serious or taboo subjects, such as death, crime, dysfunction, and societal issues, while infusing these topics with humor to create an unusual and often thought-provoking contrast. The humor in dark comedies is typically edgy, satirical, and often unsettling, challenging traditional comedic norms.

Phoebe Waller-Bridge and Sian Clifford in Fleabag (2016)

The supernatural horror subgenre features paranormal and supernatural elements as sources of fear and terror. In supernatural horror stories, the focus is on entities, forces, or occurrences that go beyond the natural world and challenge the laws of reality, including ghosts, demons, witches, curses, haunted houses, possession, and other phenomena that are unexplainable.

The teen horror subgenre features young protagonists facing various forms of terror and supernatural threats. These stories are typically targeted toward a young adult audience and revolve around the traditional experiences and challenges of teenagers as they confront paranormal occurrences, monsters, killers, or other horror elements.

Jennifer Love Hewitt and Freddie Prinze Jr. in I Know What You Did Last Summer (1997)

The horror genre features stories that aim to elicit fear, suspense, and a sense of dread in its audience. Horror stories often explore themes related to the unknown, the supernatural, and the macabre, and they frequently evoke strong emotional reactions such as anxiety, terror, and unease.

The short form refers to creative works characterized by their brevity and concise storytelling. Unlike full-length feature films, short films have a running time of less than 45 minutes, while TV shorts have a running time of less than 22 minutes.

Benedict Cumberbatch in The Wonderful Story of Henry Sugar (2023)

Beth is closing up alone at a vintage costume shop on Halloween night, only to discover something is trapped inside with her.

Parley Lambert, Malin Glade, and Ella Frank in After Hours (2023)

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Parley Lambert and Malin Glade in After Hours (2023)

After Hours

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