- Runtime
- 2h 34m(154 min)
- Sound mix
- Dolby Atmos
- Dolby Surround 7.1
- Dolby Digital
- IMAX 6-Track
- DTS(DTS: X)
- Auro 11.1
- 12-Track Digital Sound(IMAX 12 track)
- Sonics-DDP(IMAX version)
- SDDS
- Color
- Aspect ratio
- 1.85 : 1
- 1.85 : 1(original ratio)
- 1.90 : 1(most scenes)
- 2.00 : 1(most scenes)
- 2.28 : 1(letterboxed, some shots)
- 2.39 : 1(letterboxed, one shot)
- Camera
- Arri Alexa IMAX, Arri Prime 65 and Hawk65 Lenses(dual-strip 3-D)
- Arriflex 416 Plus, Hawk V-Lite16 Lenses(one scene)
- Red Epic Dragon, Panavision Primo, C-, E-, G-Series, ATZ and Leitz Summilux-C Lenses
- Red Helium Bayhem, Panavision Primo, C-, E-, G-Series, ATZ and Vantage One Lenses
- Red Weapon Dragon, Panavision Primo, C-, E-, G-Series and ATZ Lenses(some shots)
- Red Weapon Helium, Panavision Primo, C-, E-, G-Series, ATZ and Vantage One Lenses
- Laboratory
- Company 3, Los Angeles (CA), USA(digital intermediate)
- Negative Format
- 16 mm(Kodak Vision3 500T 7219)
- Codex
- IMAX Digital 3-D
- Redcode RAW
- Cinematographic Process
- ARRIRAW(6.5K, source format, dual-strip 3-D)
- Digital Intermediate(2K, master format)
- Dolby Vision
- Hawk Scope(anamorphic, source format, some scenes)
- IMAX Digital 3-D(source format, most scenes)
- IMAX HDR
- Panavision(anamorphic, source format, some shots)
- Redcode RAW(6K, 8K, source format, dual-strip 3-D)
- Printed Film Format
- D-Cinema(also 3-D version)
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