Weird that Jumborg ace got a movie before Ultraman.

This was the first Tokusatsu movie that Sampote Sams did with Tsuburaya productions. This would later be the start of a long and weird legal battle between the two. Basically when Sampote Sams made Hanuman and the seven Ultraman movie, he thought he owned the entire franchise, and also Kamen Rider for some reason.

Out of all his Tokusatsu movies, i think this one is the best. It has decent miniature work, decent acting, simple characters, and okay cinematography. But there is still quite a bit of issues with it.

The sound design for the Tokusatsu fights are terrible, there is no boom when the characters fall down. Also when the two dinosaur creatures show up you can't tell who is roaring and the roaring NEVER STOPS, they just don't shut up.

The character are also pretty paper thin and simple, there is nothing to them. In the first 40 minutes there is a Temple Giant statue, and whenever it is on screen it plays this heroic music and the timing for it is really hit or miss. It also plays the same theme when the Dad and the Kid are taken to the hospital, but I think it's funny and out of context.

For some reason when the two giant martians show up in the city, it's sped up really fast and it looks like the fight scenes in Godzilla raids again. That's a bad thing.

I do not recommend watching this with the English dub. It's the worst American dub I've ever seen, and some lines are not even translated.

It might sound like I don't enjoy this movie, but the last thirty minutes are really fun. Excellent visual effects and better miniatures than the beginning.

I can tell that they put most of the budget into the climax, it's actually good.

I think this is an underrated Tokusatsu movie, i liked it.

Thai cinema blends spirituality, folklore, and experimental techniques, producing films that balance mystical introspection with popular entertainment. It stands out in Southeast Asia for its inventiveness and range, spanning from lyrical slow cinema to inventive genre-blending films that seamlessly weave in horror, romance, and social critique with unique narrative styles rooted in Thai tradition.

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The kaiju subgenre, a Japanese term that translates to "strange beast", features giant creatures, often of immense size, that wreak havoc in cities or engage in battles with other monstrous beings. The subgenre originated in Japan and was created by Eiji Tsuburaya and Ishirō Honda.

The superhero subgenre features costumed crime fighters with extraordinary abilities or powers who use them to fight against villains and protect the innocent. They often combine high-energy action sequences with themes of heroism, morality, and the struggle between good and evil.

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The action genre features fast-paced, thrilling, and intense sequences of physical feats, combat, and excitement. The characters of these stories are involved in daring and often dangerous situations, requiring them to rely on their physical prowess, skills, and quick thinking to overcome challenges and adversaries.

The comedy genre refers to a category of entertainment that aims to amuse and entertain audiences by using humor, wit, and comedic situations. Comedies are created with the primary intention of eliciting laughter and providing lighthearted enjoyment. They encompass a wide range of styles, tones, and themes, appealing to various tastes and audiences.

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The sci-fi genre, short for science fiction, features imaginative and futuristic concepts that are often rooted in scientific principles, technology, and possibilities. These stories delve into "what if" questions and can serve as a platform to address contemporary social, political, and ethical issues by projecting them onto future or alternate settings.

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This film teams the Japanese superhero Jumborg Ace with a giant stone idol called Yuk Wud Jaeng, simply known as "Giant" against Ace's own enemies.

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Jumborg Ace & Giant

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