This horror-comedy short film about the unexpected side effects of a weight-loss drug begins with a retrospective narration that provides the story's background before shifting to present-day events. The short has the feel of a post-apocalyptic zombie film-though not necessarily featuring the living dead, but rather fitting the rage infection subgenre. Overall, it satirizes modern society's obsession with beauty. The film is quite entertaining, but unfortunately it ends just as it starts to become truly interesting. I hope there will be a sequel that explores what happens next.

The comedy genre refers to a category of entertainment that aims to amuse and entertain audiences by using humor, wit, and comedic situations. Comedies are created with the primary intention of eliciting laughter and providing lighthearted enjoyment. They encompass a wide range of styles, tones, and themes, appealing to various tastes and audiences.

Will Ferrell, Angela Grillo, and Lap-Gei Cheung in Anchorman: The Legend of Ron Burgundy (2004)

The horror genre features stories that aim to elicit fear, suspense, and a sense of dread in its audience. Horror stories often explore themes related to the unknown, the supernatural, and the macabre, and they frequently evoke strong emotional reactions such as anxiety, terror, and unease.

The short form refers to creative works characterized by their brevity and concise storytelling. Unlike full-length feature films, short films have a running time of less than 45 minutes, while TV shorts have a running time of less than 22 minutes.

Benedict Cumberbatch in The Wonderful Story of Henry Sugar (2023)

After an anti-aging drug transforms some users into zombies, two Black sisters must fight for both their lives and their looks in a satirical horror story that takes aim at toxic beauty culture.

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Trevor Salter in Daddy Is a Hunter (2026)

Caroline Quigley, Hailee Lipscomb, and Rob Himebaugh in Heartbeater (2022)

Shelbi Rose, Iker Amaya, Tom Jenkins, Johnny Visotcky, Justin Chien, and Brandon Morgan in Radiochrome (2025)

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