Seriously, You Could Skip From Like Episode 2 to Here

This season has been ridiculously slow. I don't mind a slow burn but the fact the first 10 minutes of this ep is basically a summary of everything Juliette has (not) done in the whole season, you really don't need to go back and watch anything.

Not only that, all the stuff going on Silo 18 is really easy to get up to speed with too. I really don't understand why they felt a need to take so long to get here but at least we are finally here.

Season 1 was a slow burn too but it felt like characters were legit in peril every episode, as highlighted by the fact that anyone could be knocked off at any time. And yes, that did occur this season too but again, I'm not sure anything is all that relevant in the in between episodes other than one death that would not be caught up with here.

Anyway, we took the long way to get here but at least we finally got wherever here is. I'm looking forward to the finale now.

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The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

Mahershala Ali and Alex R. Hibbert in Moonlight (2016)

The mystery genre features the investigation and solving of a puzzle, typically a crime or an enigmatic event. Mysteries are known for their suspenseful narratives, intricate plots, and the challenge they present to readers or viewers to piece together clues and solve the central mystery alongside the characters.

Jack Nicholson, Faye Dunaway, and Kelvin Harrison Jr. in Chinatown (1974)

The sci-fi genre, short for science fiction, features imaginative and futuristic concepts that are often rooted in scientific principles, technology, and possibilities. These stories delve into "what if" questions and can serve as a platform to address contemporary social, political, and ethical issues by projecting them onto future or alternate settings.

James Earl Jones and David Prowse in Star Wars: Episode V - The Empire Strikes Back (1980)

Billings' faith is shaken. Lukas heads to the down deep. Knox identifies the traitor. Juliette uncovers the truth about Solo's past.

Orlando Norman and Georgie Sadler in The Safeguard (2025)

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The Safeguard

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