When two internet pranksters arrive to disrupt a photo-shoot, something evil decides to call it a wrap.

Just about the lowest rating I've given a movie.

A few references to film school and the profession suggest the makers are well aware of their craft, and there does seem to be an enormous number of cameras in play, but nothing is done with care or intelligence. As for the writing, it takes 30 minutes to dole out information that could have been injected through high-tempo montage. But then a literally in-your-face tribute to Blair Witch - followed by the fatigue of realizing that nobody in this production understood anything about that found-footage classic and its unifying concept. Instead, it delivers frights at the same level as one of those daft ghost-hunter TV shows - but without the shadows.

When presented with a spectacularly bad argument, scientists have a cutting put down: "not even wrong". This is the film version of that argument.

An extra point for the one glimmer of charm, the actor playing Thea, whose surname I'd like to pronounce nice and proper.

The dark comedy subgenre, also known as black comedy, combines humor with elements of tragedy, morbidity, or darker themes. Dark comedies often explore serious or taboo subjects, such as death, crime, dysfunction, and societal issues, while infusing these topics with humor to create an unusual and often thought-provoking contrast. The humor in dark comedies is typically edgy, satirical, and often unsettling, challenging traditional comedic norms.

Phoebe Waller-Bridge and Sian Clifford in Fleabag (2016)

The folk horror subgenre features themes of rural folklore, pagan beliefs, and the supernatural or uncanny elements associated with rural or isolated settings. Folk horror often explores the clash between ancient, often pre-Christian traditions and modern society, blurring the line between the natural and the supernatural.

The found footage horror subgenre features the story as if it were recorded footage discovered after the events have occurred. The footage is often presented in a raw, unedited format, giving the impression that the events depicted are real and unscripted.

The horror genre features stories that aim to elicit fear, suspense, and a sense of dread in its audience. Horror stories often explore themes related to the unknown, the supernatural, and the macabre, and they frequently evoke strong emotional reactions such as anxiety, terror, and unease.

The thriller genre features suspense, tension, and excitement. These stories are known for keeping audiences on the edge of their seats and delivering intense emotional experiences by revolving around high-stakes situations, dangerous conflicts, and the constant anticipation of unexpected events.

Fame seeking YouTubers find themselves in a paranormal nightmare when the advert team they are stealing from awakens a murderous occultist from the past.

Luca Thompson, Hattie Chapman, Graham Butler, Matt Barber, Tori Butler-Hart, Emma King, Ellie Duckles, and Riz Moritz in Dagr (2024)

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Nicolás Artajo, Eva Habermann, Robin Czerny, Ezra Tsegaye, and Simone Cilio in Monster on a Plane (2024)

Claire Coffee, Matt Dallas, Jordan Lane Price, Liam Obergfoll, and Lauren DiMario in A Daughter's Plan to Kill (2019)

Dean Kyrwood and Lauren Grimson in Water Horse (2024)

Ellie Duckles and Riz Moritz in Dagr (2024)

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