This self-indulgent pile of crap might be somewhat palatable if even one of the characters were likable. I could forgive the fact that the entire plot is tired and hackneyed (see The Big Chill, Peter's Friends, St. Elmo's Fire, and about a dozen other movies that are exactly like this) if there were one character I liked or gave a damn about, but every, single character is an annoying, clawing, self-centered jerk. It's a bad sign when you can't even feel bad for the guy whose parents have just dropped dead in an accident. Every cliché is played to the hilt in this movie. It's not remotely interesting to look at, which seems a shame, as it's set in an area which could have made for, if nothing else, really great scenery. The script feels like something a a first year film student would come up with. The acting is painfully stiff. Do yourself a favor and check out something like Your Sister's Sister or The Skeleton Twins. This one is not worth your time.

The comedy genre refers to a category of entertainment that aims to amuse and entertain audiences by using humor, wit, and comedic situations. Comedies are created with the primary intention of eliciting laughter and providing lighthearted enjoyment. They encompass a wide range of styles, tones, and themes, appealing to various tastes and audiences.

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The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

Mahershala Ali and Alex R. Hibbert in Moonlight (2016)

The romance genre features the theme of romantic relationships and emotional connections between characters. These stories focus on the development of love, desire, and intimacy between protagonists, often exploring the challenges, conflicts, and triumphs that arise in their relationships.

Ingrid Bergman and Humphrey Bogart in Casablanca (1942)

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Beside Still Waters

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