Big-bust continuation of the Queen's winning streak

A visit to Vegas and Tanya Tate pumped new life into this long-running Girlfriends Films series with Part 16, and in Part 17 they let 'em ride, with winning results.

Last time out Ariella Ferrera introduced Deauxma to brothel owner Tate, and after many a copious squirt the best episode of the series resulted. Now Ariella takes center stage, humping Deauxma with orgasms for both, and then taking on bosomy Sarah Blake for a hot encore.

Continuing the show's emphasis on big bazooms, Tate enlists one of her stripper/prostitutes June Summers to give flat-chested Cheyenne Jewel a feel for what the job working for Tate entails, in a scene with the added kink, peculiar to many a Girlfriends vignette, of Tate sticking around in the bedroom to sort of supervise.

Finale was evidently shot at the same time as Part 16, as Tate goes to bed for the night, joined by her young companion Chastity Lynn, who Ferrera has informed us might be an actual hermaphrodite, per the betting of the gals on Tate's staff. With extreme role-playing, Tate does her mothering thing with the girl who packs a little plastic penis in her shorts, but in a surprise role-reversal Lynn fetches a large strap-on dildo to service her "mommy".

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

Mahershala Ali and Alex R. Hibbert in Moonlight (2016)

The romance genre features the theme of romantic relationships and emotional connections between characters. These stories focus on the development of love, desire, and intimacy between protagonists, often exploring the challenges, conflicts, and triumphs that arise in their relationships.

Ingrid Bergman and Humphrey Bogart in Casablanca (1942)

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