Name: Le Voyage de Talia
Genre: Drama
Released: 2023-01-07
Duration: 1 h 19 min
Rating: 6.2
Cast: Nadège Bibo-Tansia, Aminata Sarr, Oumy Sow

Talia is a young Belgian woman of Senegalese heritage. Usually in these kind of stories the main character is isolated and rejected from the society they were born in but this is not the case with Talia - she is comfortable and happy with her life in Brussels but she wants to know more about her heritage and to meet her grandmother so she sets off to Senegal to achieve this dream.

Talia finds that the common traits she shares with the her parents countrymen are skin deep, that culturally she shares very little in common with them and for that she is constantly judged, she is also judged on pre-concieved notions she might have on the backwardness of Senegal - nothing she actually says or does promotes this. There was an interesting part where some unnamed boy her age challenges her to prove that she was a 'real African' by eating some pepper - this kind of discourse is constant throughout the film except for her friendship with a young woman named Malika who is slightly older than her who sells dreams in the form of buy a small bird and releasing it into the sky, this young woman lives next door and Talia and this Malika become firm friends.

The story is about Talia finding her roots and her family in Senegal, though she might feel 'African' in Belgium, in Africa she is definitely a European with a liberal, western European mindset and people judge her on that whatever features they have in common are usually ignored or derided - she is insulted with the insult 'toubab' on numerous occasions which is simlar to the term 'gringo' but actually means 'white person' which is what some of the natives of Dakar see Talia as.

I watched this on the plane back from South America where I had a similar voyage of discovery - there was a part of the film where she said home wasn't a country or a city but a feeling of belonging and acceptance and she might have not found that in Senegal but I definitely found that in South America. I really enjoyed this film and for me it is a worthy ten.

French-language cinema, whether in France, Québec, or other Francophone regions, explores cultural identity, social change, and the tension between the individual and society. French cinema is not only celebrated for its intellectual experimentation and auteur traditions, but also its success in mainstream comedy, romance, and commercial entertainment. In Québec, films often focus on questions of language, belonging, and community within a distinct cultural landscape.

Jean-Pierre Léaud in The 400 Blows (1959)

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

Mahershala Ali and Alex R. Hibbert in Moonlight (2016)

An exploration of the notion of home through the coming of age of an Afro-European woman who arrives for the first time in Africa.

Souleymane Kébé, Oumy Sow, Penda Diouf, Nadège Bibo-Tansia, Monique Marnette, Christophe Rolin, Marc Recchia, Thomas Wilski, Aminata Sarr, and Stephane Gregoire in Le Voyage de Talia (2022)

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Le Voyage de Talia

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