Since this Girlfriends series was based on presenting outrageous behavior, titillating for the viewer, it was entertainingly over the top. Not unlike Abel Ferrara's classic "Bad Lieutenant" which works on a similar principle.

But the label has changed management in recent years and now veers towards a boring all-sex format with little or no attention to story or characterizations. So this edition consists of four tepid girl/girl scenes, lacking both the humor and craziness fans are entitled to.

First half of the show has a pointless premise: Four women dressed up in fetish-maid costumes (right of a cliched porn video appear at a home ready for work. They're informed by their leader Freya Parker that the gentlemen to be served aren't coming -a postponement, but that they should do the cleaning and dusting anyway. It's made clear that they're actually high-class prostitutes, but by the logic of this dumb show since they're dressed as maids they might as well perform maids' work.

That silly set-up quickly devolves into the 4 ladies splitting up into couples, and having sex in two separate bedrooms. Big-bust team of Angel Youngs and contract player Alyx Star get it on, while Freya is paired with.petite Aften Opal. Dumb and undeveloped subplot has Angel rifling through dresser drawers attempting to steal any jewelry or money left their by the home's owners, making her nominally (and pointlessly) the "bad" lesbian of the title.

In the second half Olive Glass takes over with a different cast. It also about prostitution, but euphemized by the work of masseuses at a salon where servicing the customer really translates as providing sex.

Marcus London briefly cameos (in an otherwise all-female cast) as a customer who requests "a prostate milking", but the young masseuse balks -she apparently didn't get the memo that she's a sex worker, not a therapist. Olive ends up humping employee Jezabel Vessir for IR content after teaching the buxom girl about massage technique. The other masseuses' couple consists of Diana Grace and Katie Kush.

The romance genre features the theme of romantic relationships and emotional connections between characters. These stories focus on the development of love, desire, and intimacy between protagonists, often exploring the challenges, conflicts, and triumphs that arise in their relationships.

Ingrid Bergman and Humphrey Bogart in Casablanca (1942)

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