French-language cinema, whether in France, Québec, or other Francophone regions, explores cultural identity, social change, and the tension between the individual and society. French cinema is not only celebrated for its intellectual experimentation and auteur traditions, but also its success in mainstream comedy, romance, and commercial entertainment. In Québec, films often focus on questions of language, belonging, and community within a distinct cultural landscape.

Jean-Pierre Léaud in The 400 Blows (1959)

The documentary is a form of non-fiction storytelling that aims to present factual information, insights, and perspectives on real-world subjects, events, issues, or people. Documentaries can cover a wide range of topics, including history, science, culture, social issues, nature, biographies, and more.

Dziga Vertov in Man with a Movie Camera (1929)

The short form refers to creative works characterized by their brevity and concise storytelling. Unlike full-length feature films, short films have a running time of less than 45 minutes, while TV shorts have a running time of less than 22 minutes.

Benedict Cumberbatch in The Wonderful Story of Henry Sugar (2023)

A short film which humorously documents the value of short films.

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Du sang, de la volupté et de la mort, part I: Psyche

Ann Wells in Du sang, de la volupté et de la mort, part I: Psyche (1948)

Leslie Cheung, Patricia Ha, Kent Tong, and Cecilia Yip in Nomad (1982)

Hans Hermann Schaufuß and Fritz Odemar in Zwei Genies (1934)

Du sang, de la volupté et de la mort, part III: Charmides

Du sang, de la volupté et de la mort, part III: Charmides (1948)

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