It takes more than just rounding up a cast of porn superstars to make a movie, even a 1-day wonder. But through the magic of video reissue mavens, in this case the unpicky After Hours Cinema boys, almost anything that ever passed through sprocket holes is likely to turn up on DVD for our latter-day amusement.

Narrator describes the duties of a pimp, trying vainly to evoke a "true story" atmosphere. This is mere documentary-style window-dressing that fails to elevate standard softcore sex footage. Due to its 1970 date of production, the fans do get to sample full-frontal nudity and split-beaver shots, then all the rage.

The direct sound dialog is throwaway, with moaning & groaning emphasized. A crappy library music score is no help whatsoever in maintaining interest. After an OK lesbian scene, filmmakers desperately dish out that old standby, an orgy, involving 10 players, but it's too late to serve as a wakeup call. For the umpteenth time, a not-so-clever ploy at the finale has "THE END" displayed superimposed on a girl's bare behind.

Adding insult to the potion, AHC transcribes this junker from a badly damaged print. Some of my all-time favorites including Sue Peters and Uschi Digard are completely wasted here, plus Tommy Toole (the star that year of the classic TOMATOES), inevitable John Holmes, hard-working John Dullaghan, and representing the over-the-hill generation, the obnoxious Michael Donovan O'Donnell.

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

Mahershala Ali and Alex R. Hibbert in Moonlight (2016)

The romance genre features the theme of romantic relationships and emotional connections between characters. These stories focus on the development of love, desire, and intimacy between protagonists, often exploring the challenges, conflicts, and triumphs that arise in their relationships.

Ingrid Bergman and Humphrey Bogart in Casablanca (1942)

Carl, a low-end hustler and pimp, uses his girlfriend to start his own prostitution ring. Trouble begins when Carl recruits Sherrie, a local waitress who likes sex. A cheesy narrator relates this morality tale.

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Uschi Digard in The Midnight Graduate (1970)

Candy Samples in Mother Knows Best (1971)

Tommy Toole and Diane Clark in The Pimp Primer (1970)

John Dullaghan and Tommy Toole in The Pimp Primer (1970)

Michael Donovan O'Donnell in The Pimp Primer (1970)

Uschi Digard and John Holmes in The Pimp Primer (1970)

Sheri Jackson and Michael Donovan O'Donnell in The Pimp Primer (1970)

The Pimp Primer

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