Maybe, the mix of cynismus , sensuality , ingenuity and a sort of old dandy air are the basic virtues of this video. A confession to mother about refuge, apparences, options for short time escape from near reality, fabulation, truth in other manner than you expect. And the air of French manifestos from contemporary music. In essence a portrait of a manner to be. Cold, ironic, precise. And Pierre de Maere knows to remind the traits of classic seducer in fair manner.

French-language cinema, whether in France, Québec, or other Francophone regions, explores cultural identity, social change, and the tension between the individual and society. French cinema is not only celebrated for its intellectual experimentation and auteur traditions, but also its success in mainstream comedy, romance, and commercial entertainment. In Québec, films often focus on questions of language, belonging, and community within a distinct cultural landscape.

Jean-Pierre Léaud in The 400 Blows (1959)

The music genre features stories showcasing musical performances, music-related documentaries and recordings of live concerts and music festivals.

Prince and Apollonia Kotero in Purple Rain (1984)

Pierre de Maere in Pierre de Maere: Menteur (2021)

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Pierre de Maere: Menteur

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