The basic virtue of this short animation remains the universal message ( and echo ) of story. A young man hopes to have the confessions of his grandfather about Algerian war. The venerable man reduces his stories to his mates and a gazelle. Nothing more. The stor told in a time of family dinner , about dark side of experiences is minimalized after.

And this is the best part. Because the silence of old man is the silence of people crossing a traumatic experience, as butcher or as victim, from the Shoah and the Goulag and the Pitesti experiment to wars .

Second, this silence, a sort of exorcism against terrible experiences , is first used in the relation with family.

Not the last, after so many books, artistic films, documentaries, edited documents , why the young director has need of the words of his grandfather ? The ansewer seems simple but it sounds not so easy.

In short, a special film, useful in profound sense.

French-language cinema, whether in France, Québec, or other Francophone regions, explores cultural identity, social change, and the tension between the individual and society. French cinema is not only celebrated for its intellectual experimentation and auteur traditions, but also its success in mainstream comedy, romance, and commercial entertainment. In Québec, films often focus on questions of language, belonging, and community within a distinct cultural landscape.

Jean-Pierre Léaud in The 400 Blows (1959)

Animation is a form of visual storytelling that involves creating visual art and motion through the use of various techniques and technologies. In animation, images are manipulated to create the illusion of movement, bringing characters, objects, and environments to life. Animation can encompass a wide range of styles, themes, and intended audiences, making it a diverse and versatile form of storytelling.

Daveigh Chase, Rumi Hiiragi, and Mari Natsuki in Spirited Away (2001)

The short form refers to creative works characterized by their brevity and concise storytelling. Unlike full-length feature films, short films have a running time of less than 45 minutes, while TV shorts have a running time of less than 22 minutes.

Benedict Cumberbatch in The Wonderful Story of Henry Sugar (2023)

For 10 years a filmmaker tries to make a movie out of his grandfather's Algerian war souvenirs.

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Bastien Dubois in Souvenir, souvenir (2020)

Souvenir, souvenir

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