- Runtime
- 2h 21m(141 min)
- Sound mix
- Color
- Aspect ratio
- 1.43 : 1(IMAX Dual Laser, Moon Landing sequence)
- 1.78 : 1(Blu-ray release, Moon Landing sequence)
- 1.90 : 1(IMAX Xenon & Single Laser, Moon Landing sequence)
- 2.39 : 1
- Camera
- Aaton A-Minima, Zeiss Ultra 16, Kowa Cine Prominar and Canon Lenses(some shots)
- Aaton Penelope, Camtec Vintage Ultra Prime, Kowa Cine Prominar and Fujinon Premier Cabrio Lenses
- Aaton Xterà, Zeiss Ultra 16, Kowa Cine Prominar and Canon Lenses(some shots)
- Arricam LT, Camtec Vintage Ultra Prime, Kowa Cine Prominar and Fujinon Premier Cabrio Lenses
- Arriflex 416 Plus, Zeiss Ultra 16, Kowa Cine Prominar and Canon Lenses(some shots)
- Arriflex 435, Kowa Cine Prominar Lenses(some scenes)
- Beaumont VistaVision Camera, Kowa Cine Prominar Lenses(some shots)
- IMAX MSM 9802, Hasselblad Lenses(Moon Landing sequence)
- Laboratory
- EC3(digital dailies)
- EFILM(digital intermediate)
- FotoKem Laboratory, Burbank (CA), USA(film processing)
- IMAX Post(65 mm film scanning)
- Negative Format
- 16 mm(Kodak Vision3 50D 7203, Vision3 250D 7207, Vision3 500T 7219)
- 35 mm(also horizontal, Kodak Vision3 250D 5207, Vision3 500T 5219)
- 65 mm(horizontal, Kodak Vision3 500T 5219)
- Cinematographic Process
- Digital Intermediate(2K, master format)
- Dolby Vision
- IMAX(source format, Moon Landing sequence)
- Spherical(source format)
- Super 16(source format)
- Techniscope(source format)
- VistaVision(source format, some shots)
- Printed Film Format
- D-Cinema
- DCP(2K)
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