For some time I've been wanting to see this movie because the Poster called my attention, and I was right.

Although I do not understand the low ranking, for a film made mainly in Portugal, I think is pretty good. In moments it seems a romanticized Portuguese Titanic, but the historical side is always predominant.

All the actors are good in their roles, especially Carlos Paulo in the role of Captain Galvão, who leaves us mesmerized by the aroma of democratic freedom to which the film calls. Victor Norte is perfect for the role of rude father and pro Salazar military, and Leonor Seixas ideal as the maverick daughter.

Do not expect an action movie with shots and special effects, this is a film of tension and reflection on the dilemmas that both assailants and captives faced during the assault, and the reflection on the Portugal, which at the time lived years of growing dissatisfaction with the oppressive dictatorial power.

I recommend this movie especially to all who like me, were born outside Salazarism and want to learn more about the milestones that defined the second half of the Portuguese twentieth century .

Portuguese-language cinema, spanning Portugal, Brazil, and other Lusophone regions, focuses on history, cultural identity, and the struggles of ordinary people, often framed with poetic or allegorical storytelling. In Portugal, cinema has emphasized meditative pacing and philosophical depth, reflecting on memory and tradition. In Brazil, it has often been politically charged and socially vibrant, highlighting inequality and resilience while experimenting with popular and avant-garde forms.

Alexandre Rodrigues in City of God (2002)

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

Mahershala Ali and Alex R. Hibbert in Moonlight (2016)

The history genre features recounting and analyzing past events, societies, cultures, and historical figures. This genre aims to provide insights into the development of civilizations, the causes and consequences of historical events, and the impact of individuals and ideas on the course of history.

The romance genre features the theme of romantic relationships and emotional connections between characters. These stories focus on the development of love, desire, and intimacy between protagonists, often exploring the challenges, conflicts, and triumphs that arise in their relationships.

Ingrid Bergman and Humphrey Bogart in Casablanca (1942)

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