Persian-language (primarily Iranian) cinema is acclaimed for poetic allegory, moral depth, and inventive ways of navigating censorship. It often uses non-professional actors, minimalism and symbolism to explore moral dilemmas, social issues, and the human condition under political constraints.

Leila Hatami and Payman Maadi in A Separation (2011)

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Shahin Yazdani, Reza Mohajer, and Hossein Khandan in The Station (1987)

Parviz Poorhosseini, Golchehre Sajadieh, and Shahin Yazdani in The Station (1987)

The Station

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