- Runtime
- 1h 4m(64 min)
- Sound mix
- Dolby Digital
- Dolby Atmos(Blu-ray release)
- Color
- Aspect ratio
- 1.66 : 1(some scenes, season 1)
- 1.78 : 1(season 1)
- 1.85 : 1
- Camera
- Arri Alexa 65, Arri Prime DNA Lenses(season 1)
- Arricam LT, Kowa Cine Prominar Lenses("Trouble Don't Last Always")
- Arricam LT, Kowa Cine Prominar Lenses(S1 E9)
- Arricam LT, Kowa Cine Prominar and Angenieux Optimo Lenses
- Arriflex 416(some scenes, season 1-2)
- Laboratory
- Company 3(digital intermediate)
- FotoKem Laboratory, Burbank (CA), USA(dailies, season 1-3)
- Light Iron, Los Angeles (CA), USA(digital dailies, season 1)
- Negative Format
- 16 mm(Kodak Vision3 500T 7219, some scenes, season 1-2)
- 35 mm(Kodak Vision3 500T 5219)
- 35 mm(Kodak Vision3 500T 5219, Ektachrome 100D 5294, "Trouble Don't Last Always", "Fuck Anyone Who's Not a Sea Blob", season 2)
- 35 mm(Kodak Vision3 500T 5219, Ektachrome 100D 5294, S1 E9&10, season 2-3)
- Cinematographic Process
- ARRIRAW(6.5K, source format, season 1)
- Digital Intermediate(4K, master format)
- Super 16(source format, some scenes, season 1-2)
- Super 35(3-perf, source format)
- Super 35(3-perf, source format, "Trouble Don't Last Always", "Fuck Anyone Who's Not a Sea Blob", season 2)
- Super 35(3-perf, source format, S1 E9&10, season 2)
- Printed Film Format
- Dolby Vision(Blu-ray release)
- Video(UHD)
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