French-language cinema, whether in France, Québec, or other Francophone regions, explores cultural identity, social change, and the tension between the individual and society. French cinema is not only celebrated for its intellectual experimentation and auteur traditions, but also its success in mainstream comedy, romance, and commercial entertainment. In Québec, films often focus on questions of language, belonging, and community within a distinct cultural landscape.

Jean-Pierre Léaud in The 400 Blows (1959)

The biography, or "biopic", is a genre that portrays the life story of a real person, often a notable individual or historical figure. They aim to provide a depiction of the subject's personal history, achievements, challenges, and impact on society.

Ben Kingsley, Rohini Hattangadi, and Geraldine James in Gandhi (1982)

The documentary is a form of non-fiction storytelling that aims to present factual information, insights, and perspectives on real-world subjects, events, issues, or people. Documentaries can cover a wide range of topics, including history, science, culture, social issues, nature, biographies, and more.

Dziga Vertov in Man with a Movie Camera (1929)

A personal and professional look at actor Johnny Hallyday by his friend, filmmaker Pierre-William Glenn.

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Karen Allen, Jürgen Prochnow, and Johnny Hallyday in Terminus (1987)

Pierre-William Glenn in Les silences de Johnny (2019)

Les silences de Johnny

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