I'm all for people trying something different with the zombie/infected movie, UNLESS it's at the expense of all that is enjoyable about the genre. The Vanguard attempts a vaguely art-house approach, with a contemplative mood, introspective narrative, a degree of quirkiness, and an attempt at social commentary about racism, but offers none of the stuff that usually makes these kind of films fun: gore, excitement, scares, and more gore.

The Vanguard does have a couple of good basic ideas: they're the same ones used for I Am Legend and 28 Days Later, only here they are completely wasted by film-makers with no idea how to turn them into an entertaining movie. The acting is mediocre, the action is dull, the splatter is restricted to some arterial spray (some of it crap CGI), the characters are irritating, and the 'zombies' are very disappointing, loping along like apes, growling like lions, and sporting naff zebra stripes drawn on with face-paint (I realise they're supposed to be like animals, but this is too silly for words).

Somehow, this film garnered some decent comments from Fangoria and Gorezone (who are proudly quoted on the DVD cover), and was selected for the Dead by Dawn horror festival; I'm not quite sure how that happened, but take it from me (and the majority here on IMDb who have voiced their opinion)—The Vanguard sucks, even rivalling The Zombie Diaries for the title of worst British zombie film.

The zombie horror subgenre features zombies, reanimated corpses, as central figures of fear and terror. The subgenre often explores themes of survival, societal breakdown, and can serve as a metaphor for societal anxieties, consumerism, conformity, and the dehumanizing effects of mass culture.

The action genre features fast-paced, thrilling, and intense sequences of physical feats, combat, and excitement. The characters of these stories are involved in daring and often dangerous situations, requiring them to rely on their physical prowess, skills, and quick thinking to overcome challenges and adversaries.

The horror genre features stories that aim to elicit fear, suspense, and a sense of dread in its audience. Horror stories often explore themes related to the unknown, the supernatural, and the macabre, and they frequently evoke strong emotional reactions such as anxiety, terror, and unease.

The sci-fi genre, short for science fiction, features imaginative and futuristic concepts that are often rooted in scientific principles, technology, and possibilities. These stories delve into "what if" questions and can serve as a platform to address contemporary social, political, and ethical issues by projecting them onto future or alternate settings.

James Earl Jones and David Prowse in Star Wars: Episode V - The Empire Strikes Back (1980)

The year is 2015 and overpopulation and famine have plunged our planet into chaos and one desperate survivor finds himself being hunted and pursued by hordes of rage-crazed zombies.

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