Júlio Bressane: The film that unearthed experimental cinema in Brazil was 'The Angel Was Born'. On this rock, we built Belair. The transgression, the disruption that was Belair, still wasn't properly examined. The films haven't reached the public, they're still under a curtain of silence.
Grande Otelo: Of course, but Belair is the wind that blows of a future cinematographic country.
Júlio Bressane: Otelo, you know it's always a pleasure to be with you, don't you?
Grande Otelo: I thank you immensely, I just don't understand you... today, of course, because in the future, they will.
