Pretty good once the story settles down but a mess of sorts!

I'm a fan of silent films and try to watch as many as possible when the opportunity arises. I'm also a fan of Sword & Sandal films and I had the chance to see the 1914 version of SALAMBO. Compared to the masterpiece CABIRIA, also made in 1914, this film is a mess of sorts.

The film lasts 75 minutes and for the first 25 minutes or so we *only* see a series of establishing shots with intertitles telling us what's going on. That's it. No close ups. No panning or anything interesting. Only wide static shots of large crowds scenes with the main characters somewhere in there. This wouldn't be so bad if the scenes weren't filmed in such an uninteresting way (angle, composition, etc). Once Matho climbs up the aqueduct of Carthage the action finally starts(this scene is very much like when Maciste and company climb the fortress in CABIRIA). And by action I mean the camera follows the characters and the characters exchange dialogue, not necessarily action as in action-packed stuff. Movies were still in its infancy which might explain the odd and confusing narrative structure of SALAMBO. 25 minutes of mostly static shots to set-up a story is way too long, even for that time.

Once it settles down to a visible storyline, it's pretty good and the magic of silent cinema finally takes hold but it's still a mess of sorts. Unlike CABIRIA, you can't really identify or empathize with any of the characters here. They're more like figures or shadows moving across the screen than characters. There are things that happen to the characters and I'm not quite sure why. No intertitle or dialogue telling us what just happened. There are some close-ups but they are rare. I think the first close-up within the story itself occurs 40 minutes mark. There are some close-ups of the actors at the beginning but those are there just to introduce the name of characters.

The sets are pretty good, the crowd scenes are grand. But these things can't overcome the sloppy editing and the wobbly, unfocused narrative. The one interesting aspect of this film is one of the main characters is black, Spendius, and he's not played as a caricature or as unimportant. He's vital to the story and it's cool to see that in a film made in 1914. When Spendius enters the statue of Tanit, and what happens afterward, it's probably the best moment of the film.

When the film on the DVD starts the words THE PRIESTESS OF TANIT appear, not SALAMBO. But the intertitles have the name SALAMBO on it. It seems the title is missing from this reel which goes straight to the introduction of the characters. The distributor of the DVD used the artwork of the 1925 made-in-France version of SALAMBO, which confused me. By the artwork, I thought I was buying that version but I really got the 1914 made-in-Italy one. The distributor should use different artwork or a photo from this film to sell this version. Oh well. 

The music, credited to Lou McMahon, often didn't go with what was happening on screen but this is not uncommon with silent films in general as the original score is lost. A new score or finding the original score would be an improvement over this one. I had to turn off the sound to enjoy it more. 

The story was adapted into another version, in 1960 titled SALAMMBO, starring Jacques Sernas and Jeanne Valérie. You can see some similarities between the two but the 1960 version, even with its faults, is more successful than this one.

The story relates how Salambo, daughter of Amilcar, ruler of Carthage, and Priestess of Tanit, is the keeper of the Sacred Veil "on which human eyes must not gaze." She falls in love with Matho, a slave, who becomes the leader of a band of mercenaries, fighting for Carthage against Rome. Matho steals the sacred veil and Salambo is ordered by the priests to reclaim it. The lovers meet in Matho's tent and Salambo recovers the sacred veil. Matho is made a prisoner by the Carthaginians through the treachery of Narr Havas, who is rewarded by Amilcar for his treachery by the hand of his daughter, Salambo. Matho escapes from prison and death, and the Oracle of Tanit is made to declare, by the instrumentality of Spendius, Matho's faithful slave, that Matho is acceptable to the God and one day shall govern Carthage. Salambo, who has protested against her marriage to Narr Havas, whom she does not love, is thereupon given by Amilcar, her father, to Matho and the marriage ceremony is celebrated with much pomp.

Mario Guaita-Ausonia in Salambo, a $100,000 Spectacle (1914)

The Biggest Movies and TV Coming in September

See which big screen releases you can watch from the comfort of your couch.

Theatrical Releases Coming to Streaming

Get a closer look at these actors from their many TV and streaming series roles.

Streaming Stars, Then and Now

Suzanne De Labroy in Salambo, a $100,000 Spectacle (1914)

Salambo, a $100,000 Spectacle

Photos7

Top Cast4

User reviews3

Storyline

Top picks

Details

Tech specs

Contribute to this page

More to explore

Recently viewed