This review was originally posted 2/17/08. For some odd reason, IMDb won't let me alter my original review at all (something I've done many other times to other reviews), so I was forced to delete the review and repost it--updating some important information.

I saw this movie at a special showing by a local film society of all the Oscar nominated Live Action Shorts about a week or so before the Oscars were announced. For a while, this film was posted online (I think on Atomfilms.com and one other site) but has recently been removed. I think this film has a very small chance to win this year's Oscar because two other films, AT NIGHT and TANGHI ARGENTINI are better films. Now this ISN'T to say THE MOZART OF PICKPOCKETS is bad or didn't deserve the nomination--it is an exceptional and charming little comedy.

The film starts with a group of pickpockets working the streets of Paris. Eventually, 3 of the 5 are caught--leaving the two dumbest crooks alone. At the same time, a mute little boy just appears from no where and follows the crooks home. Not knowing what to do, they decide to keep him.

The film has so many cute twists and the ending is wonderful. However, I don't want to say more because it might spoil the suspense. Watch this one--it's a nice little film.

2/24/08--Apparently, I am an idiot and you should never take me to Vegas! Tonight this film DID win the Oscar--who'd have figured?!

French-language cinema, whether in France, Québec, or other Francophone regions, explores cultural identity, social change, and the tension between the individual and society. French cinema is not only celebrated for its intellectual experimentation and auteur traditions, but also its success in mainstream comedy, romance, and commercial entertainment. In Québec, films often focus on questions of language, belonging, and community within a distinct cultural landscape.

Jean-Pierre Léaud in The 400 Blows (1959)

The comedy genre refers to a category of entertainment that aims to amuse and entertain audiences by using humor, wit, and comedic situations. Comedies are created with the primary intention of eliciting laughter and providing lighthearted enjoyment. They encompass a wide range of styles, tones, and themes, appealing to various tastes and audiences.

Will Ferrell, Angela Grillo, and Lap-Gei Cheung in Anchorman: The Legend of Ron Burgundy (2004)

The crime genre features criminal activities, investigations, law enforcement, crimes, and the pursuit of justice. Crime stories often revolve around the planning, execution, and consequences of criminal acts, as well as the efforts to solve and prevent such acts. They explore various aspects of criminal behavior, motives, and the moral dilemmas faced by both perpetrators and those seeking to uphold the law.

James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie Lynn Sigler, Tony Sirico, and Michael Drayer in The Sopranos (1999)

The short form refers to creative works characterized by their brevity and concise storytelling. Unlike full-length feature films, short films have a running time of less than 45 minutes, while TV shorts have a running time of less than 22 minutes.

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Two pickpockets have to take care of a deaf-mute Romanian child.

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