Beyond Life and Death

Episode aired Jun 10, 1991
TV-14
50m

IMDb RATING

9.3/10

8.8K

YOUR RATING

Crime Drama Mystery Thriller

Agent Cooper follows Windom Earle and Annie into the depths of the Black Lodge. Big Ed and Norma get a shock when Nadine suffers head trauma. Andrew and Pete unlock Eckhardt's final box and ... Read allAgent Cooper follows Windom Earle and Annie into the depths of the Black Lodge. Big Ed and Norma get a shock when Nadine suffers head trauma. Andrew and Pete unlock Eckhardt's final box and Audrey stages an act of civil disobedience.Agent Cooper follows Windom Earle and Annie into the depths of the Black Lodge. Big Ed and Norma get a shock when Nadine suffers head trauma. Andrew and Pete unlock Eckhardt's final box and Audrey stages an act of civil disobedience.

See production info at IMDbPro

IMDb RATING

9.3/10

8.8K

YOUR RATING

See production info at IMDbPro

Mystery

Thriller

Storyline

Did you know

Trivia
The singer in the Red Room is Jimmy Scott, a cabaret singer from the 1950s known for his high voice (due to a genetic disorder which halted puberty). Scott had been largely forgotten until he performed at songwriter Doc Pomus's funeral in March 1991. Scott's performance in the series less than three months later contributed to his comeback.

Goofs
In the bank scene, when the teller is bringing Audrey a glass of water, a boom mic is clearly visible at the top of the screen for several seconds.

Quotes
[last line of the series]
Dale Cooper: How's Annie? How's Annie?

Crazy credits
Instead of the usual closing credits, the finale features a shot of a coffee cup sitting on the table in the red room. Slowly, the smiling face of Laura Palmer appears in the coffee. Though like the regular end credits it features 'Laura Palmer's Theme', it originally featured a different section of the tune (featuring mostly the low motif section), but has since been modified to match that heard on the regular end credits.

Alternate versions
When originally aired (and on earlier home media releases), the end credit theme ('Laura Palmer's Theme') on this episode began as the piano climb section of the theme was ending, and had mostly the low-motif section of the theme playing over the credits, creating a darker more ominous mood. Subsequent home media and airings have modified it so that it matches the section of the theme heard over the regular end credits.