If you love Godzilla and CGI, this short is for you.

My earliest sci-fi memory was my Dad waking me up when everybody else in the house was sleeping at about 10pm in 1965. Together him and I watched a movie called Ghidrah the three headed monster. I was 5 years old.

That being said, if you come from the same mold as I have you will give this short film a standing ovation.

It has all those elements of the Japanese films of that genre and era, but really polishes up the cheese factor and adds to it modernization and class. This is truly a piece of art and totally worth your time.

Very well put together.

Japanese cinema is celebrated for its refined minimalist dramas and avant-garde experimentation; it also introduced popular genres like jidaigeki (samurai epics), kaiju, and anime. Across both high art and mass entertainment, it often explores morality, impermanence, and the pressures of modern life.

Hidetoshi Nishijima and Tôko Miura in Drive My Car (2021)

The kaiju subgenre, a Japanese term that translates to "strange beast", features giant creatures, often of immense size, that wreak havoc in cities or engage in battles with other monstrous beings. The subgenre originated in Japan and was created by Eiji Tsuburaya and Ishirō Honda.

Animation is a form of visual storytelling that involves creating visual art and motion through the use of various techniques and technologies. In animation, images are manipulated to create the illusion of movement, bringing characters, objects, and environments to life. Animation can encompass a wide range of styles, themes, and intended audiences, making it a diverse and versatile form of storytelling.

Daveigh Chase, Rumi Hiiragi, and Mari Natsuki in Spirited Away (2001)

The sci-fi genre, short for science fiction, features imaginative and futuristic concepts that are often rooted in scientific principles, technology, and possibilities. These stories delve into "what if" questions and can serve as a platform to address contemporary social, political, and ethical issues by projecting them onto future or alternate settings.

James Earl Jones and David Prowse in Star Wars: Episode V - The Empire Strikes Back (1980)

The short form refers to creative works characterized by their brevity and concise storytelling. Unlike full-length feature films, short films have a running time of less than 45 minutes, while TV shorts have a running time of less than 22 minutes.

Benedict Cumberbatch in The Wonderful Story of Henry Sugar (2023)

When a cargo-spaceship crash-lands on the streets of Tokyo, it unleashes a giant monster from Mars. It is up to Dr. Narasaki and his mecha robot Miroku to save the Earth.

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