What a boring dancing film! Don't expect fairy-tales. It is simple a serials of modern dancing. All actors are null and without life. It seems that dancing is the only active elements in the film. The princess dances for 1/3 of film; the painter danced with her; the 3 prince from remote country bring dancing group to perform in the castle. And they are performing modern dancing in the environment of middle ages! The plot is too simple even for fairy tales. The king is simple stupid. The queen is simple kind. The minister is simple weird. The young prince is simple naive. The princes from remote countries simply want to marry the princess. The princess simply want to dance! The set is also crazy. Trees and grasses are blue, and there are spotlight on dancers in the castle, just like a modern theater. Why not build some balcony?

French-language cinema, whether in France, Québec, or other Francophone regions, explores cultural identity, social change, and the tension between the individual and society. French cinema is not only celebrated for its intellectual experimentation and auteur traditions, but also its success in mainstream comedy, romance, and commercial entertainment. In Québec, films often focus on questions of language, belonging, and community within a distinct cultural landscape.

Jean-Pierre Léaud in The 400 Blows (1959)

The comedy genre refers to a category of entertainment that aims to amuse and entertain audiences by using humor, wit, and comedic situations. Comedies are created with the primary intention of eliciting laughter and providing lighthearted enjoyment. They encompass a wide range of styles, tones, and themes, appealing to various tastes and audiences.

Will Ferrell, Angela Grillo, and Lap-Gei Cheung in Anchorman: The Legend of Ron Burgundy (2004)

The musical genre features stories that combine music, singing, dancing, acting, and often spoken dialogue to tell a story or convey a narrative. Musicals incorporate various elements of drama, music, and choreography to create a cohesive theatrical experience that engages audiences on multiple levels.

Julie Andrews in The Sound of Music (1965)

Carole Bouquet, François Berléand, and Margaux Chatelier in Aurore (2006)

Centre national du cinéma et de l'image animée (CNC)

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