Name: French Beauty
Genre: Documentary
Released: 2005-06-01
Duration: 1 h 10 min
Rating: 7
Cast: Thierry Arbogast, Fanny Ardant, Brigitte Bardot

Despite the SHAMELESS viral marketing here in IMDb I didn't find this documentary particularly interesting. The 'French Beauty' as a concept brings images of Bardot et al. to my mind, and France has had a long line of actresses who are easy on the eyes and some of them have even had the ability to act on the silver screen.

"French Beauty" aims to portray the beautiful French actresses yet it doesn't even mention Emmanuelle Seigner, Anouk Aimee, Julie Delpy, Virginie Ledoyen or the ageless Isabelle Adjani??? Only a few are actually interviewed but it is always interesting to see famous actors/actresses as themselves and whether they turn out to be anything you have come to expect from their performances in films. Tautou and Deneuve give some insightful comments into the subject at hand and the interviewees come up as genuine persons.

Fanny Ardant (for example) is in her fifties yet I thought she looked at most 30 and smashing when she appeared in Callas Forever. Unfortunately she's one of the many people NOT interviewed and she is featured extremely briefly.

What I really disliked in the documentary was how it pushed some no-name forgettable girl-woman in her early 20's as "the next beauty in French cinema." The docu makers really tried to sound authoritative when they declared that but it is a hollow and bogus statement. A sub-plot in this documentary follows a somewhat pouty self-indulgent girl who seeks her break in the movies. It doesn't come in the film and so far (August 2007) it hasn't come unless you count French B-movies as a break in the same league as all the other ladies featured in this doc. The whole segment, edited into short clips between all other beauties, made me actually think whether the whole documentary was made to just support her ailing career.

French-language cinema, whether in France, Québec, or other Francophone regions, explores cultural identity, social change, and the tension between the individual and society. French cinema is not only celebrated for its intellectual experimentation and auteur traditions, but also its success in mainstream comedy, romance, and commercial entertainment. In Québec, films often focus on questions of language, belonging, and community within a distinct cultural landscape.

Jean-Pierre Léaud in The 400 Blows (1959)

The documentary is a form of non-fiction storytelling that aims to present factual information, insights, and perspectives on real-world subjects, events, issues, or people. Documentaries can cover a wide range of topics, including history, science, culture, social issues, nature, biographies, and more.

Dziga Vertov in Man with a Movie Camera (1929)

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French Beauty

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