Name: Concorso di colpa
Genre: Thriller
Released: 2005-08-26
Duration: 1 h 35 min
Rating: 3.8
Cast: Francesco Nuti, Alessandro Benvenuti, Antonella Ponziani

I've just rushed out of the theater where this film announcing the return of Francesco Nuti (return from where?) opened today. Claudio Fragasso made an almost okay film a few years back "Palermo Milano Solo Andata" the major problem with that film was a static, humorless script with more holes than a lunar landscape. Now with the complicity of the same scriptwriter, Rossella Drudi, he concocts a shameful piece of opportunistic nonsense. He is even late in the opportunistic department. The whole thing is so old, so unfocused, so stupid. The only humor in the nonsensical script is unintentional and Francesco Nuti, meanders through the film with absolutely nothing to say or do. He seems a graduate from the zombie school of acting. Not even a minute attempt to construct real multi dimensional characters. They're all a tiny ridiculous sketch. Not a single moment of truth and for a thriller not to have a moment of suspense or excitement is really too much. The main reason it doesn't work is because we don't give a damn about any of it. Yes, it's that bad, but not bad enough to be funny it's just boringly bad, bloated with self importance. Tonight, the director will be at the Eden theater to mingle with the audience. I wish he had shown this kind of courage when he was making the movie. To let out my anger let me add that the introduction of the "political connotations" verges on the offensive and the pointlessness of the story is just a tiny example of the pathetic state of modern Italian cinema.

Italian cinema has deeply influenced world cinema through its socially conscious realism and modernist experimentation, but it also flourished in popular genres like peplum (sword & sandal), giallo thrillers, and broad comedies. Its narratives often weave together politics, contemporary social change, class consciousness, and family dynamics, balancing artistic ambition with entertainment that resonated widely.

Lamberto Maggiorani in Bicycle Thieves (1948)

The thriller genre features suspense, tension, and excitement. These stories are known for keeping audiences on the edge of their seats and delivering intense emotional experiences by revolving around high-stakes situations, dangerous conflicts, and the constant anticipation of unexpected events.

Francesco De Bernardi is the chief commissioner of the homicide squad. He has a no-global child who challenges him.

Ministero per i Beni e le Attività Culturali (MiBAC)

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Ornella Muti and Francesco Nuti in Tutta colpa del paradiso (1985)

Gabriele Ferzetti in Concorso di colpa (2004)

Francesco Nuti in Concorso di colpa (2004)

Concorso di colpa

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