When this movie started and it was clear that Sumida-san was the lonesome man that ends in a killer rampage it looked like it would display disabled people like crazy idiots, but it does not. More its about the frustration (sexual and other) and loneliness felt by not being able to do what others around him can. He has the best possible friends/people to attend to him. This doesn't help as his demons are building inside of him.

This is so different from Huang Tu Di (which I watched the same day) you could get I guess. No more long shootings and watching the characters with their environs, here its extreme closeups, dizziness inducing cameras and seizure like editing. Music a fine mix between punk and noise. A double bill with Rokugatsu no Hebi would be suitable.

Japanese cinema is celebrated for its refined minimalist dramas and avant-garde experimentation; it also introduced popular genres like jidaigeki (samurai epics), kaiju, and anime. Across both high art and mass entertainment, it often explores morality, impermanence, and the pressures of modern life.

Hidetoshi Nishijima and Tôko Miura in Drive My Car (2021)

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

Mahershala Ali and Alex R. Hibbert in Moonlight (2016)

The thriller genre features suspense, tension, and excitement. These stories are known for keeping audiences on the edge of their seats and delivering intense emotional experiences by revolving around high-stakes situations, dangerous conflicts, and the constant anticipation of unexpected events.

A wheelchair bound man goes on a killing spree to ease his hurt when a local college coed rebuffs his amorous advances.

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Osoi hito

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