Name: Cándido López - Los campos de batalla
Genre: Documentary
Duration: 1 h 42 min
Rating: 7.6
Cast: Odina Leguizamón

Poor research, bad acting, sloppy editing and substantial historical inaccuracies are just a few of the many flaws of this virtually unbearable documentary. This Argentinian production does not do credit to their booming film industry, nor does it do justice to a serious and important topic of South American history: the War of the Triple Alliance (aka. Paraguayan War). The film has no plot, no purpose and is hardly informative. At best, it is a naive attempt at reconstructing the brutal reality of war. Even the camera work is sloppy and you often find yourself asking "what in heaven's name are they going on about?". The highlight of the film is a quick spot on a poor Paraguayan family that turns a mutt into a dalmatian by dying block dots on his white fur. Can you find a connection with a 19th century South American war? I didn't think so! Save your money and time!

Spanish-language cinema across Spain and Latin America is united by its engagement with history, cultural identity, and social transformation. In Spain, films often balance artistic experimentation with popular genres while reflecting on memory, politics, and family. In Latin America, cinema has been deeply tied to questions of colonial legacy, resistance, and community resilience, ranging from intimate dramas to bold political allegories.

Ana Torrent in The Spirit of the Beehive (1973)

The documentary is a form of non-fiction storytelling that aims to present factual information, insights, and perspectives on real-world subjects, events, issues, or people. Documentaries can cover a wide range of topics, including history, science, culture, social issues, nature, biographies, and more.

Dziga Vertov in Man with a Movie Camera (1929)

Documentary about the War of the Triple Alliance based on the paintings by Cándido López.

Cándido López - Los campos de batalla (2005)

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Cándido López - Los campos de batalla

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