A contemplative, if haunting look into seeking love.

This is a hard movie to describe, if you like these types of movies, ones where its mostly conversation and characters struggling to express how they feel, then this could be for you. It is a very well made movie, with good acting and direction, and progresses well until maybe the last twenty minutes.

If you don't like these types of movies, don't watch, it will be slow, plodding and unfulfilling.

And if you don't normally watch movies that seek to be emotional and challenge the viewer to become involved, this may be worth a look if you have the opportunity, but you may enjoy something more suited to your language and culture if you aren't from Taiwan.

It's a good movie, but whether it is enjoyable depends on your mileage.

Mandarin-language cinema across Mainland China, Taiwan, and Singapore explores historical reflection, cultural identity, and personal sacrifice, often expressed through poetic visuals and sweeping narratives. In Mainland China, this takes the form of allegory and large-scale epics that reflect on national history. Taiwan emphasizes intimate modernist realism, generational change, and the search for identity. Singapore contributes stories of migration, multiculturalism, and the negotiation of tradition in a globalized city.

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

Mahershala Ali and Alex R. Hibbert in Moonlight (2016)

The romance genre features the theme of romantic relationships and emotional connections between characters. These stories focus on the development of love, desire, and intimacy between protagonists, often exploring the challenges, conflicts, and triumphs that arise in their relationships.

Ingrid Bergman and Humphrey Bogart in Casablanca (1942)

A young girl returns to visit her childhood home in Taipei to see her female cousin, whom she has been secretly in love with since she was very young.

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