Even mohan lal couldn't save this film. This film is not for regular malayalee people, and the screenplay was one of the worst from Fazil. Fazil who made movies like nookketha dhoorathu kannum nattu, manichitra thazhu totally failed his audience by choosing this strange story. Its not easy for regular viewers to digest a movie like this.

Mohan lal, the greatest actor on earth was completely wasted in this film. I hope fazil will come up with something real good next time.

Mohan lal, and mukesh tried their best to get audience interest, but failed. My rating is 6/10 because of MOhan lal, and his amazing performance as always.

Malayalam cinema, based in Kerala, is known for its grounded narratives, literary screenplays, and strong character-driven storytelling.The industry is celebrated for innovatively blending realism with bold, socially conscious themes.

The comedy genre refers to a category of entertainment that aims to amuse and entertain audiences by using humor, wit, and comedic situations. Comedies are created with the primary intention of eliciting laughter and providing lighthearted enjoyment. They encompass a wide range of styles, tones, and themes, appealing to various tastes and audiences.

Will Ferrell, Angela Grillo, and Lap-Gei Cheung in Anchorman: The Legend of Ron Burgundy (2004)

The horror genre features stories that aim to elicit fear, suspense, and a sense of dread in its audience. Horror stories often explore themes related to the unknown, the supernatural, and the macabre, and they frequently evoke strong emotional reactions such as anxiety, terror, and unease.

The mystery genre features the investigation and solving of a puzzle, typically a crime or an enigmatic event. Mysteries are known for their suspenseful narratives, intricate plots, and the challenge they present to readers or viewers to piece together clues and solve the central mystery alongside the characters.

Jack Nicholson, Faye Dunaway, and Kelvin Harrison Jr. in Chinatown (1974)

The thriller genre features suspense, tension, and excitement. These stories are known for keeping audiences on the edge of their seats and delivering intense emotional experiences by revolving around high-stakes situations, dangerous conflicts, and the constant anticipation of unexpected events.

Mohanlal, Mukesh, and Nayanthara in Vismayathumbathu (2004)

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Vasundhara Das, Mohanlal, and Napolean in Ravanaprabhu (2001)

Mohanlal, Meena, Mukesh, and Sreenivasan in Udayananu Tharam (2005)

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Vismayathumbathu

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