Maybe the most beautiful movie I've ever seen.

Every single frame fits the big picture. Every gesture says more than a hundred words. Every word is like a poem. I can hardly wait to see it again. Being a fan of details, I was in heaven during True. Natalie Portman looked better than ever. She smokes and screams (with and without reason). She seems to wear more different clothes than in Star Wars - Episode I. This little movie might be for her what All You Need Is Love was for the Beatles. There are countless movies about love, but this one is certainly the purest of them all. It's difficult to describe these ten minutes without spoiling the film. And it's difficult to describe them without writing pages and pages full of little impressions. Also, I'm sure it will grow with further watching. But even now I dare to say that True was the most beautiful movie I've ever seen.

French-language cinema, whether in France, Québec, or other Francophone regions, explores cultural identity, social change, and the tension between the individual and society. French cinema is not only celebrated for its intellectual experimentation and auteur traditions, but also its success in mainstream comedy, romance, and commercial entertainment. In Québec, films often focus on questions of language, belonging, and community within a distinct cultural landscape.

Jean-Pierre Léaud in The 400 Blows (1959)

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

Mahershala Ali and Alex R. Hibbert in Moonlight (2016)

The romance genre features the theme of romantic relationships and emotional connections between characters. These stories focus on the development of love, desire, and intimacy between protagonists, often exploring the challenges, conflicts, and triumphs that arise in their relationships.

Ingrid Bergman and Humphrey Bogart in Casablanca (1942)

The short form refers to creative works characterized by their brevity and concise storytelling. Unlike full-length feature films, short films have a running time of less than 45 minutes, while TV shorts have a running time of less than 22 minutes.

Benedict Cumberbatch in The Wonderful Story of Henry Sugar (2023)

While he is receiving an enigmatic phone call from his girlfriend Francine, Thomas remembers the milestones of their relationship, from the very moment they met in a strange way. A segment of Paris, Je T'aime (2006).

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Pascal Lamorisse in The Red Balloon (1956)

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