28 wins & 85 nominations
- 2007 Nominee Eddie
- Best Edited One-Hour Series for Non-Commercial Television
Episode: "Tell Your God to Ready for Blood (2006)" - 2006 Winner Eddie
- Best Edited One-Hour Series for Non-Commercial Television
Episode: "A Lie Agreed Upon: Part I (2005)"
2005 Nominee ASC Award- Outstanding Achievement in Cinematography in Regular Series
Episode: "Deep Water (2004)"
- 2004 Nominee Artios Award
- Best Casting for TV, Dramatic Pilot
- Junie Lowry Johnson
- Julie Tucker (New York casting)
- 2007 Winner C.A.S. Award
- Outstanding Achievement in Sound Mixing for Television Series
- R. Russell Smith (re-recording mixer)
- William Freesh (re-recording mixer)
- Geoffrey Patterson (production mixer)
Episode: "A Two-Headed Beast (2006)" - 2006 Winner C.A.S. Award
- Outstanding Achievement in Sound Mixing for Television Series
- R. Russell Smith (re-recording mixer)
- William Freesh (re-recording mixer)
- Geoffrey Patterson (production mixer)
Episode: "A Lie Agreed Upon: Part I (2005)" - 2005 Winner C.A.S. Award
- Outstanding Achievement in Sound Mixing for Television Series
- Geoffrey Patterson (production mixer)
- R. Russell Smith (re-recording mixer)
- William Freesh (re-recording mixer)
Episode: "Deadwood (2004)"
- 2007 Nominee CDG Award
- Excellence in Costume Design for Television
- Andrea Sweet (assistant costume designer)
2005 Winner DGA Award- Outstanding Directorial Achievement in Dramatic Series - Night
- Walter Hill
- Gregg Fienberg (unit production manager) (plaque)
- James Alan Hensz (first assistant director) (plaque)
- Kenneth Roth (second assistant director) (plaque)
- Kevin Turley (second second assistant director) (plaque)
For the pilot episode.
2007 Nominee Primetime Emmy- Outstanding Art Direction for a Single Camera Series
- Maria Caso (production designer)
- David Potts (art director)
- Ernie Bishop (set decorator)
For episode "Tell Your God To Ready For Blood, True Colors, Amateur Night".
2007 Nominee Primetime Emmy- Outstanding Cinematography for a Single-Camera Series
- Joseph E. Gallagher (director of photography)
For episode "Catbird Seat".- 2007 Nominee Primetime Emmy
- Outstanding Costumes for a Series
- Janie Bryant (costume designer)
- Le Dawson (costume supervisor)
For episode "Amateur Night". 
2007 Nominee Primetime Emmy- Outstanding Hairstyling for a Series
- Peter Tothpal (department head hairstylist)
- Carol Pershing (assistant department head hairstylist)
- De'Ann Power (additional hairstylist)
For episode "A Constant Throb".
2007 Winner Primetime Emmy- Outstanding Makeup for a Series (Non-Prosthetic)
- John Rizzo (department head makeup artist)
- Ron Snyder (assistant department head makeup artist)
- James R. Scribner (key makeup artist)
- James R. Scribner (additional makeup artist)
For episode "I Am Not The Fine Man You Take Me For".
- 2005 Nominee Golden Globe
- Best Television Series - Drama
2005 Nominee Golden Satellite Award- Best Actor in a Miniseries or a Motion Picture Made for Television
2005 Nominee Golden Satellite Award- Best Actor in a Supporting Role in a Series, Miniseries or Motion Picture Made for Television
- 2005 Nominee Prism Award
- TV Drama Series Multi-Episode Storyline
For episodes "The Trial of Jack McCall"/"Plague"/ "Bullock Returns to Camp". 
2007 Nominee Actor- Outstanding Performance by an Ensemble in a Drama Series
- 2007 Nominee Excellence in Production Design Award
- Episode of a Single-Camera Television Series
- Maria Caso (production designer)
- David Potts (art director)
- Michael J. Kelley (assistant art director)
For episode "True Colors". - 2006 Nominee Excellence in Production Design Award
- Single-Camera Television Series
- Maria Caso (production designer)
- James J. Murakami (art director)
- David Potts (art director)
- Michael J. Kelley (assistant art director)
For episode "Requiem for a Gleet".
- 2005 Nominee TCA Award
- Program of the Year
- 2005 Nominee TCA Award
- Outstanding Achievement in Drama
- 2004 Nominee TCA Award
- Outstanding Achievement in Drama
- 2006 Winner AFI Award
- TV Program of the Year
DEADWOOD is a Shakespearean epic in spurs and continues to blaze new trails in television as it enters its second season. David Milch's use of language continues to astound, and when the superb ensemble acting, production design and costumes are added to the artistry of the page, the viewer enters a fully realized world of exceptional heft - which is just one of the four-letter words that best describe DEADWOOD. - 2005 Winner AFI Award
- TV Program of the Year
DEADWOOD stands tall in the proud tradition of the American Western. Grand schemes and Shakespearean motives take viewers on a true journey through time, and yet the show's unique power comes from what is not necessarily true to the period, illustrating that sometimes storytellers have to lie to tell the truth. David Milch and his writers blend fact and fiction, historical and imagined characters, and use modern language to immerse viewers in a richly defined parallel universe that captures how dark and difficult life was in a time that has since been glamorized by Hollywood.
- 2007 Nominee Astra Award
- Favourite International Program
- 2006 Nominee HPA Award
- Outstanding Compositing - Television
- 2017 Winner OFTA TV Hall of Fame
- Television Programs
- 2007 Nominee OFTA Television Award
- Best Drama Series
- 2007 Nominee OFTA Television Award
- Best Writing in a Drama Series
- 2010 Nominee Gold Derby TV Award
- Drama Series of the Decade
- 2005 Nominee Gold Derby TV Award
- Drama Series
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