i saw this film a few years back at a festival in berlin and loved it.  i thought the story was absolutely hilarious and the acting top notch. direction was sublime.  it reminded me of many of the jerry lewis, dean martin flicks of the 50-60's. i would love to see it again, again and again. i believe the film was an indy, but it certainly had the production values of a major studio release. of all the places in the world, i am surprised that i haven't seen it on the big screen in new york.  the french would love this film. in my mind, it could develop a sort of cult like following.  i hope it makes it into bigger distribution.  if not, i would love to get my hands on a dvd.


* nikchamberlain


German cinema is famous for its historical depth, expressionist aesthetics, and social-political engagement. It has moved from Expressionism to political reckoning, from New German Cinema's raw realism to contemporary genre experiments. Its legacy lies in both technical innovation and deep explorations of history, morality, and philosophy.

The comedy genre refers to a category of entertainment that aims to amuse and entertain audiences by using humor, wit, and comedic situations. Comedies are created with the primary intention of eliciting laughter and providing lighthearted enjoyment. They encompass a wide range of styles, tones, and themes, appealing to various tastes and audiences.

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The romance genre features the theme of romantic relationships and emotional connections between characters. These stories focus on the development of love, desire, and intimacy between protagonists, often exploring the challenges, conflicts, and triumphs that arise in their relationships.

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