Gordon Vandermeer foists arbitrary sex scenes, presented without continuity, in this dumb VHS feature about winning the lottery. It's among the worst scripts imaginable.

We're presented with a couple, Rachel Ryan and Sean Michaels, with financial difficulties due to Sean's gambling. He's spent their rent money on a large number of lottery tickets, and Rachel is surprised to discover that one was a winner, of the $10,000,000 grand prize.

This seemingly would be the starting point of some interesting story, but instead we watch five meaningless sex scenes, with arbitrary editing and random construction. By the movie's end, I could only guess that the scenes that don't fit were merely erotic dreams that Rachel or Sean had, but that is not explained or substantiated by the dialogue.

One such scene, namely Sean humping Bionca in an otherwise empty restaurant is described as Rachel's nightmare, fearful that the newfound wealth will cause him to stray.

But another scene with Bionca, dressed in fetish gear and humping fellow lesbian Kassi Nova, is intercut pointlessly during a scene of another couple (who are friends of Rachel & Sean), Busty Belle and Ray Victory, making love in bed. That defies rational editing.

Silliest scene, left dangling without surrounding footage justifying its existence, has Rachel lying on a mattress in the backyard, for unannounced Jon Dough to come over and hump her. His character is never explained as part of the show.

Just an example of pornographers shooting the requisite sex scenes to make up feature length, and evidently cutting back on shooting the necessary story/dialogue footage needed to complete the movie. Then one imagines them saying: "What the hell! The audience doesn't care".

The romance genre features the theme of romantic relationships and emotional connections between characters. These stories focus on the development of love, desire, and intimacy between protagonists, often exploring the challenges, conflicts, and triumphs that arise in their relationships.

Ingrid Bergman and Humphrey Bogart in Casablanca (1942)

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