Enjoyable film for lovers of trash cinema.

Director Billy Chung serves up sleaze and violence aplenty in this stylishly-shot revenge thriller starring Daniel Wu as a deformed hit-man who is double-crossed by sexy gangster's moll Gigi Lai. After a quick spot of plastic surgery, our once ugly killer is transformed into a suave handsome hunk hell-bent on getting even.

Chung gives fans of this kind of trash cinema (and I use that term affectionately) exactly what they want. There is enough gratuitous sex and violence throughout the film's lean 87 minute running time to ensure that the viewer is never bored; there are gunfights galore, with every bullet hit squirting just the right amount of claret, and in between the bouts of death and destruction there is still time for the main characters to 'get it on'.

If an undemanding slab of glossy exploitation is what you're after, you could do worse than see Devil Face, Angel Heart.

Mandarin-language cinema across Mainland China, Taiwan, and Singapore explores historical reflection, cultural identity, and personal sacrifice, often expressed through poetic visuals and sweeping narratives. In Mainland China, this takes the form of allegory and large-scale epics that reflect on national history. Taiwan emphasizes intimate modernist realism, generational change, and the search for identity. Singapore contributes stories of migration, multiculturalism, and the negotiation of tradition in a globalized city.

The action genre features fast-paced, thrilling, and intense sequences of physical feats, combat, and excitement. The characters of these stories are involved in daring and often dangerous situations, requiring them to rely on their physical prowess, skills, and quick thinking to overcome challenges and adversaries.

The crime genre features criminal activities, investigations, law enforcement, crimes, and the pursuit of justice. Crime stories often revolve around the planning, execution, and consequences of criminal acts, as well as the efforts to solve and prevent such acts. They explore various aspects of criminal behavior, motives, and the moral dilemmas faced by both perpetrators and those seeking to uphold the law.

James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie Lynn Sigler, Tony Sirico, and Michael Drayer in The Sopranos (1999)

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

Mahershala Ali and Alex R. Hibbert in Moonlight (2016)

The thriller genre features suspense, tension, and excitement. These stories are known for keeping audiences on the edge of their seats and delivering intense emotional experiences by revolving around high-stakes situations, dangerous conflicts, and the constant anticipation of unexpected events.

Lon is an assassin who is deformed. The only man he can trust is his brother, Kwan. When Lon kills a police officer, the officer's partner tries to go after him, but lets him go after seeing his face. Meanwhile, Lon falls for Wendy, the girlfriend of Lon's sadistic boss, Dragon. When Lon agrees to kill Dragon for Wendy, it's a setup. After the kill, Lon is hit by a car and plunges into the river. A year passes by. A new man named Michael arrives, working for Wendy. Meanwhile, the partner of the cop Lon killed is still on the case. He notices a resemblance of the new man to Lon. Is Michael the same person as Lon? If so, what is the motive?

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