Communist propaganda as it might be, but this film is also a critic of the bad part of in the Chinese culture, which lead to the eventual rebellion of fishermen. For example, the discrimination against fishermen by general public, such as the prohibition of fishermen to live on land, and even worse, the prohibition of fishermen to wear shoes when they walk on land. There are many not-so-favorable parts in the traditional culture that has been practices for centuries, but discrimination cannot last forever and eventually rebellion will erupt and any attempt to revert back into the bad ways will be futile.

Mandarin-language cinema across Mainland China, Taiwan, and Singapore explores historical reflection, cultural identity, and personal sacrifice, often expressed through poetic visuals and sweeping narratives. In Mainland China, this takes the form of allegory and large-scale epics that reflect on national history. Taiwan emphasizes intimate modernist realism, generational change, and the search for identity. Singapore contributes stories of migration, multiculturalism, and the negotiation of tradition in a globalized city.

The war genre features armed conflicts, both historical and fictional, and the experiences of individuals and groups involved in warfare. This genre explores the physical, emotional, and moral challenges faced by soldiers, civilians, and others affected by war.

Soldiers stay in Hainan Island and fight Japanese invaders in harsh conditions.

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События на острове Хайнань

The Story of South Island

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