Actually, the movie was not bad, however, it deserves a big thumb down because of the original purpose of making it: To salvage the image of Chinese armed forces, which suffered greatly after the Tian-An Men Square incident in the 1989.  Audience should know that the film crew is not to blame because the making of such propaganda is not in their control.

Mandarin-language cinema across Mainland China, Taiwan, and Singapore explores historical reflection, cultural identity, and personal sacrifice, often expressed through poetic visuals and sweeping narratives. In Mainland China, this takes the form of allegory and large-scale epics that reflect on national history. Taiwan emphasizes intimate modernist realism, generational change, and the search for identity. Singapore contributes stories of migration, multiculturalism, and the negotiation of tradition in a globalized city.

The war genre features armed conflicts, both historical and fictional, and the experiences of individuals and groups involved in warfare. This genre explores the physical, emotional, and moral challenges faced by soldiers, civilians, and others affected by war.

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Jian hou chang cheng dong

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