South Korean trash: a spaghetti western transferred to Manchuria at the time of the Japanese occupation, obviously based on "The good, the bad and the ugly", with three crooks of different orientations chasing after the same treasure. But that's where the similarity in the story ends. Musically, there are echoes of Morricone and the camera zooms and pans wildly, although not everything is always in focus.

The fight scenes are often amusing and seem parodic, although they were certainly not meant to be. The sounds are often too early or too late and everything sounds the same. A punch in the face and a punch in the stomach, it always sounds like a piece of wood being broken in two. The actors are not bad, but the script demands a lot of nonsense from them. At the end it suddenly becomes patriotic, probably a concession to the censors to justify the existence of this movie.

Korean cinema is known for its mastery of genre, fluidly blending thriller, drama, and dark comedy with social critique. The post-1990s renaissance brought bold storytelling and masterful craft to the world stage, addressing class, identity, and modern anxieties with cinematic flair.

The action genre features fast-paced, thrilling, and intense sequences of physical feats, combat, and excitement. The characters of these stories are involved in daring and often dangerous situations, requiring them to rely on their physical prowess, skills, and quick thinking to overcome challenges and adversaries.

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

Mahershala Ali and Alex R. Hibbert in Moonlight (2016)

The Western genre features stories set primarily in the 19th-century American Old West and often depict the rugged frontier life, exploring themes of individualism, justice, morality, and the clash between civilization and the untamed wilderness. The genre has its roots in the historical context of westward expansion and the challenges faced by pioneers, settlers, outlaws, and lawmen.

John Wayne and Harry Carey Jr. in The Searchers (1956)

Cheol Su, an assassin disguised as a patriot, Tae Ho, a gangster, and Dal Gun, a spy, are kind of people who can turn their backs on each other for the sake of their own interests. Now, they are cooperating to find a golden Buddhist statue. They get to think about the nation's well-being during their search for the statue and decide to fight for their motherland, returning the statue to Lance.

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