One of the most under rated and understated films that showcases the hypocrisy of Indian Cinema with unabashed bravery.

One of the most under rated and understated films that showcases the hypocrisy of Indian Cinema with unabashed bravery.

This is a fine film that has wonderful script and has some fine actors to enact the parts. Om Puri as Subramaniam and Navin Nischol as Manu Kapoor stand out. The others have given wonderful performances too. 

The writing was superb, the character of Kajal portrayed by Perizaad Zorabaian was etched out beautifully. It has a modern outlook and thwarts the hypocrisy too. Damn, she was one courageous woman who did that role, perfectly well. Pat Cusick played the role of Patrick Stormaire with a poise of mockery and dignity. It's a rare case for Bollywood and a one to watch. 

Above the performances lies the script and yet, the acting has taken the film to a different live. Look at Om Puri shouting in typical South Indian Accent as "Balls, Balls, I want more Balls" when shooting a song sequence. There are such fine moments of splits and wonderful moments of courage too. This is added to a touch of emotion and it's all blended well into a wonderful film.

The departments of cinematography, editing play a lesser role as the film in itself is a kind of spoof on the way Bollywood films are shot and some shots are so laughable that they create a hilarious feeling. This is one of the better films of Nagesh Kukunoor and I rate it as one of the finest films made on Bollywood itself. Never before was the Bollywood film making thrashed as it did happen in Bollywood Calling. 

It's a 4/5 for this film. If anybody wants to have some good laughs at the way films are made in Bollywood, this is certainly a competent choice.

The parody subgenre imitates, exaggerates, and satirizes the style, themes, characters, or conventions of another work, genre, or cultural phenomenon. Parodies often involve taking well-known elements from the original source and presenting them in a humorous and exaggerated manner to create a comedic effect.

Bill Pullman, John Candy, Joan Rivers, Daphne Zuniga, and Lorene Yarnell Jansson in Spaceballs (1987)

The satire subgenre uses humor, irony, exaggeration, and parody to critique and comment on various aspects of society, culture, politics, institutions, and human behavior. Satires aim to provoke thought, highlight absurdities, and expose hypocrisy by presenting familiar situations in a distorted or exaggerated manner. They entertain while also providing social commentary and encouraging viewers to reflect on the subjects being criticized.

Peter Sellers in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

The comedy genre refers to a category of entertainment that aims to amuse and entertain audiences by using humor, wit, and comedic situations. Comedies are created with the primary intention of eliciting laughter and providing lighthearted enjoyment. They encompass a wide range of styles, tones, and themes, appealing to various tastes and audiences.

Will Ferrell, Angela Grillo, and Lap-Gei Cheung in Anchorman: The Legend of Ron Burgundy (2004)

The drama genre is a broad category that features stories portraying human experiences, emotions, conflicts, and relationships in a realistic and emotionally impactful way. Dramas delve into the complexities of human life, often exploring themes of love, loss, morality, societal issues, personal growth, with the aim to evoke an emotional response from the audience by presenting relatable and thought-provoking stories.

Mahershala Ali and Alex R. Hibbert in Moonlight (2016)

The music genre features stories showcasing musical performances, music-related documentaries and recordings of live concerts and music festivals.

Prince and Apollonia Kotero in Purple Rain (1984)

An alcoholic, cancer-ridden American film-maker decides to produce a Bollywood movie.

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